Review: The Cherry Orchard, at Harold Pinter Theatre

Grand Toor of tensions

Michael White’s classical news: Festival of Baroque; Tosca; Lucine Musaelian/Nathan Giorgetti; London Guitar Festival

‘The Victorian public loved a good murder – so long as it did not frighten the servants’

Clothes encounters of the second-hand kind

Review: Azymuth – a special night at Union Chapel

Grooves: fabric; Terry Francis; Back To Black

Blue Note unleashes a tsunami of heavyweight jazz talent

Michael White’s classical news: Trio Musae; Keats; Ora Singers; Wladyslaw Szpilman

Meat Market Barbecue – a Texas-style indulgence

Review: Ghosts, at Jermyn Street Theatre

Fictional consideration of ‘Yellow Vest’ protests is intriguing and timely

Review: Blood of My Blood, at Royal Court Theatre

Review: Rent, at the Tom Stoppard Theatre

The joy of text…

The French revelation: ‘It is the real turning point in London’s global success’

What to see in Black History Month

Life lines: from Sky City to The Good, the Black and the Boujee

Our friends in the North Sea

Review: Hay Fever, at Wyndham’s Theatre