Review: Evening All Afternoon, at Donmar Warehouse

Review: Ukraine Unbroken, at Arcola Theatre

Review: Blink, at King’s Head Theatre

‘She was manipulated by an algorithm and it pushed her to her death’

Seurat at the seaside

Michael White’s classical news: Women and Power; Elisabetta da Gambarini; Close Up Classical; Sumi Jo

Roots of conflict: the making of modern Iran

Molly vs The Machines probes ‘Wild West Web’ culture

Review: Bird Grove, at Hampstead Theatre

Review: Shadowlands, at Aldwych Theatre

Lucy Popescu’s theatre news: SPRINT; My Night with Reg; Primal Bog; The Sarah McGuinness Story

The lass word: showcasing emerging and established voices

Balm squad: how entertainers helped heal the wounds of war

Michael White’s classical news: Handel; Théotime Langlois de Swarte; Yuja Wang; Mark van der Wiel

Compton Arms – Orwell’s perfect pub – has been given a tasteful modern twist

Towner prized: out-of-towner artist who found fresh inspiration in Hampstead

Review: Man and Boy, at Dorfman Theatre

Review: The Shitheads, at Royal Court Upstairs

Review: The Unlikely Pilgrimage of Harold Fry, at Theatre Royal Haymarket

Michael White’s classical news: Benjamin Britten; Things Invisible to See; Brodsky Quartet; Boris Giltburg